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Emmi Lawrence

~ MM Fantasy Romance Writer

Emmi  Lawrence

Tag Archives: Writing

Edwin’s Interview (Lost Isle Launch T-17 Days)

05 Friday Mar 2021

Posted by Emmi Lawrence in Fantasy, Teaser

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adventure fantasy, character interview, Fantasy, fantasy romance, Fiction, Flash, gay romance, LGBT, long-reads, Lost Isle, Love, M/M, Novel, prose, reading, Romance, Series, Short Fiction, The Ocean's Aviary, Writing

EDWIN’S INTERVIEW

(This is a teaser for the novel Lost Isle, on pre-order now.)

The man at my door has brown hair—loose, windswept, the ends just barely curling against his forehead and neck. His face is more long than round, giving him the appearance of being lean, though his body betrays that impression with enough muscle to make him unnoticeable in the working class neighborhoods—the docks, the factories, the workshops. His hands have the most personality throughout his entire person—strong, slender hands with scribe calluses built-up on two of his fingers and ink-spot tattoos where the quill had pierced deep enough to stain.

He has the look of an indoor man. The kind who would be hunched over a desk, or a book, or a map.

I step back to let him into my office and he follows me, his eyes quick to rove and quick again to come back to me. His pants were ironed, though not the most expensive. His coat was fitted, though the loose button in the middle again betrayed his throttled funds. He stood straight with shoulders back, but not with chest puffed.

As if, by remaining straight and following the narrow, he might give the impression of a proper gentleman in order to blend and not stand out. Fighting to be average, I’d have called him. A man who did not crave attention and did not seek it. A man who would step out of the light, away from confrontation were it to peek his way.

But perhaps that is me being judgmental. After all, while first impressions are everything according to perception, they are lies tricking us into crafting a reality that person cannot possibly fight against.

“Good morning,” I said, holding my hand out.

He took it with a grip that did not tighten too hard or pull away too quickly. “Edwin Vlaris. You said you wanted to speak to me of a map.”

I gesture to the bench I had just finished clearing off before he’d knocked. “A map, yes. Please sit, Edwin.”

“Thank you.” His voice is unassuming. Shall I say, perhaps even lacking a certain confrontational ability? Continue reading →

Canvas Blues – LVIII: Yesteryears

03 Wednesday Mar 2021

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

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Canvas Blues, Fantasy, fantasy romance, Fiction, gay romance, LGBT, long-reads, Love, M/M, Mystery, Novel, prose, reading, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

LVIII: Yesteryears

A bust went down that September. Late. Humidity giving a last hurrah as it burned across the growing corn fields and shivered burgeoning pumpkin patches. Cops swarmed Ol’ North Main like ants on a sugar spoon, wrapping cuffs about old and young alike with little regard to uncles and grand-daddy’s.

Casey got picked up. Fourteen years old, drunk off canned beer with a stolen fifty in his pocket. Taylor L. got picked up too. Taylor Lee Barry got pushed through processing, then yanked at the very last because grand-daddy came in roaring like a fury, spouting about bad choices and last chances.

No one came to yank Casey out at the last second.

Brendon had the audacity to think it all unfair. He’d been more worried about Casey getting out and dodging his father’s belt rather than being mindful of a future more dreary and far more difficult for his friend.

“Glad you’d skipped that night,” Casey muttered a few weeks later, bitter over his arrest and the subsequent crack-down his father had instated via police requirement. “Was messy and ugly. Didn’t think I’d ever see so many cop cars in my life.”

“…and your dad?” asked Brendon tentatively.

Casey shrugged. They lay across his bed, the comforter a worn blue and the pillowcases mismatched, yet both with a soccer emblem on their surface. “He’s still an asshole, if that’s what you’re asking.”

“How long is he enforcing house arrest?” Continue reading →

Coffee & Conversation: Is there anything you absolutely refuse to write?

01 Monday Mar 2021

Posted by Emmi Lawrence in Coffee & Conversation

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answer, FAQ, industry, May/December, prose, publishing, question, reading, tropes, Writing, YA

Is there anything you absolutely refuse to write?

One of the tropes well-known within the romance industry is called May/December relationships. This is merely a cutesy way of referring to a pairing or couple where one-half is older/more experienced (in the December of their life) and the other is still in the springtime of their youth.

In general these relationships can be depicted in adorable or serious ways that show  respect for real-life people in similar relationships.

However! There are extreme cases where this May/December type of relationship is exaggerated into more of a January/December situation, where it feels abusive or disturbing in how they depict the manipulation or grooming of young people (particularly girls, though boys are not spared.)

These are cases when you have a teen (barely adult or almost adult) with a person (usually male) who is extremely older. Think of age ranges such as: 16/100 or 16/500 or 16/timeless. [A few examples of these types of relationship can be found in books such as Twilight, An Enchantment of Ravens, or Spin the Dawn.]

These depictions are a byproduct of the misogynistic tendencies of older men to want young women (or literal girls) in place of someone their own age. Because gay romance started within the romance industry, which was heavily dominated by women writers at the time (still is, but there are certain trends that look encouraging to see more diversity), this same concerning extremist age gap has strayed into gay romance slightly. Continue reading →

A Madman’s Journal (Lost Isle Launch T-24 Days)

26 Friday Feb 2021

Posted by Emmi Lawrence in Fantasy, M/M, Short Story, Teaser

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adventure fantasy, Fantasy, fantasy romance, Fiction, gay romance, long-reads, Lost Isle, Love, M/M, prose, reading, Romance, Short Fiction, The Ocean's Aviary, Worldbuilding, Writing

A MADMAN’S JOURNAL
Emmi Lawrence

(This is a teaser for the novel Lost Isle, that is on pre-order now.)

The shop clung to a scent that sang of ages past, of worlds and words hidden behind mold and mildew. A patina of dust lay on every available surface and long-unused webs gathered thickly in high corners and behind haphazardly stacks books. Edwin wrinkled his nose at the intricate map—done in oils with vibrant colors and care—that had been shoved against the wall and propped up with tacks so that it curled with dry depression, left to crumble.

“Done by the esteemed Marcius Hlarro,” boasted the keeper—a stooped man with eyes beady from an indoor life and hands twisted from a lack of stretching. He swept a hand across the map, crinkling the dry corners so bits flakes off and dust eddied into the air. “One of a kind. Shows the very soul of Awadar from almost six decades ago.”

Edwin kindly did not correct the man. Merely smiled thinly—not wanting a mouthful of dust—and nodded absently as he carried on through the stacks.

“Can I help you find something? A gift? A bit of historical research?”

“I’m looking for anything on the history of the Serene.”

“Oceanographer? Deep sea fishing stories? Tales of discovery? Of the first crossings?” The stooped bookkeeper moved fast among his stacks and shelves, rattling off questions

“Actually, more myth and legend was my interest.”

“Leviathan sightings? Aquaholes? Iceberg Towers?”

“The Flightless.”

From between the shelves, the bookkeeper turned those squinted eyes toward Edwin. “Birds. Birds like the great rocs or the tiny swallows that morph? Birds that shift out of sight like the flamingos and rooks? Yes, birds.” Continue reading →

Canvas Blues – LVII: Yesteryears

24 Wednesday Feb 2021

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

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Tags

Canvas Blues, Fantasy, fantasy romance, Fiction, Flash, gay romance, LGBT, long-reads, Love, M/M, Mystery, Novel, prose, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

LVII: Yesteryears

Casey gained two half-siblings in that same year. One on his father’s side; one on his mother’s. Both girls. Maybe if they hadn’t been he would have viewed them differently. Maybe.

Silvia, a mixed-race princess who plucked food between her finger and thumb and favored books and cats to dolls or blocks, never looked up to Casey, her nose wrinkled in annoyance at his sexist comments the older she grew. Her mother’s child, pointing out faults with pianist fingers, harsh in her condemnation despite being right. Got a full-ride to the local private high school and skipped out to university the moment the acceptance came.

Brendon didn’t blame her.

Amanda, a pale chunk of pink baby fat turned speed demon who learned to kick a soccer ball sooner than she learned to speak in full sentences. Her father’s daughter, she told the same dreadful off-color jokes as her old man and stroked that same bitter chip that Casey wore on his shoulder. Ran off to California at seventeen without a backward glance to work at a surf shack and spend nights smoking weed on the sand.

Brendon didn’t blame her either. Continue reading →

Coffee & Conversation: What’s the quickest way to make you crazy in a romance?

22 Monday Feb 2021

Posted by Emmi Lawrence in Coffee & Conversation

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adventure, answer, character, Fantasy, FAQ, Fiction, Novel, question, reading, Romance, romance plot, symbolism, The Breakup, Writing

What’s the quickest way to make you crazy in a romance story?

Most of my stories, particularly the novels, have multiple plot threads: a romantic one intertwined with an adventure or mystery. Some lean more on the romance arc; some lean more on the adventure arc; some are pretty even-handed. One of the great advantages to having a second arc intertwined with the romance is that I can use outside forces that might push the characters together/apart and craft interpersonal conflict via the adventure or mystery aspect of the story. This is something that romance writers who have sole romance plot arcs aren’t able to do.

When you can’t use outer journeys or adventurous conflicts to interact with the interpersonal conflict of the romance, there’s a serious limit when crafting the necessary interpersonal conflicts. This can mean that a lot of the interpersonal romantic plots can feel over-used and rehashed and trope-reliant rather than fresh and fun. This limiting number of conflicts can also mean that some authors reach for whatever is easiest, no matter that it might be completely nonsensical and that something far and away better might exist if they’d bothered to push themselves.

One of my least favorite romance “conflicts” is the ridiculous reliance on a silly misunderstanding. You know the type—the kind that could be cleared up with ONE SINGLE ADULT CONVERSION.

That, to me, isn’t conflict. Or, if you call it conflict, it’s the weakest, frailest, lamest conflict ever to exist in the entire adult fiction world. A misunderstanding should not be the backbone of an entire romantic plot. A misunderstanding should never be the catalyst for a story.

Misunderstandings should be used sparingly and only for tiny threads within the entire plot. If they are even used at all. The best use of misunderstandings (imo) is comedic beats, to elicit a momentary smile from the reader.

The second best use is to indicate something larger at play. A good example of this is the lemon scene in the movie The Breakup, where the male lead only gets a couple lemons when the female lead wanted a lot more—this is a great example of using a misunderstanding to represent a much larger, difficult problem that exists rather than having the lemons themselves be the problem. (Also, using a sour fruit in the scene was an epic choice for symbolism.)

But yes, the quickest way (or at least one of them at any rate) to make me crazy is to have the entire plot of a romance be completely centered on a fake conflict that could be easily solved within a single chapter. Making the rest of the novel utterly eye-rolly.

~Emmi

Dead Ship Chanty (Lost Isle Launch T-31 Days)

19 Friday Feb 2021

Posted by Emmi Lawrence in Fantasy, Teaser

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adventure fantasy, Fantasy, fantasy romance, Fiction, Flash, gay romance, LGBT, Lost Isle, Love, M/M, Novel, poetry, reading, Short Fiction, Song Lyrics, The Ocean's Aviary, Worldbuilding, Writing

DEAD SHIP CHANTY
Emmi Lawrence

There sailed the seas a maddened thing, called a ship of dreams

brought forth to life, by timeless strife,

to begin its reign through the Serene

 

On a current of its making, The Narwhal grew in fame,

its power vast, its nets it cast

to brandish magic before it waned

 

With riches bulked within her holds, and Xanick at her helm,

she sought a port, the hidden sort,

to unload spoils that overwhelmed

 

Then one day long The Narwhal fought, a battle none could win

Broken in half, its decks collapsed,

while within its bowels the great beast grinned

 

And the current of The Narwhal, lodged beneath the arch,

too white to see, too tight to free,

yet across the mast the gryphons march


This is a teaser song for the novel Lost Isle: The Ocean’s Aviary I. This is the fuller version of the song mentioned in the novel that talks of the myth of Captain Xanick and the current he was able to control.

Lost Isle is available for Pre-order on Amazon here!

Canvas Blues – LVI: Present

17 Wednesday Feb 2021

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

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Canvas Blues, Fantasy, fantasy romance, Fiction, gay romance, LGBT, long-reads, Love, M/M, Mystery, Novel, prose, reading, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

LVI: Present

An audience made work difficult. Brendon’s attention wavered, his hands lost steadiness, his mental vision turning muddied rather than crisp and clear. The fact that Orion looked incredibly content to sweep inexpert strokes across the small, cheap canvas Brendon had given him and did not bother casting glances sideways didn’t seem to matter.

They painted under a hot summer breeze and clouds the size and breadth of fingernails. A crescent frowned at them as it lowered in the west and found its way onto Brendon’s painting in multiples, the moon mirrored throughout the sky as if taunting the sun. He added impossible reflections to the water, a broken-edged crisscross of sunlight and moonlight. The wharf under his feet morphed into a mazed set of gnarled roots, like mangroves inching into the bay.

None of it made sense, yet he was careful to keep a place where human feet could stand stably. Conscious to thwart reality by picking a navy—so close to Orion’s shirt—to add shade. He found himself rippling the water more than normal that it might not be mistaken for glass, and then banking them so the wind would not be typhoon-strong.

Through Orion kept his promise, his questions about paint rather than stranger things, Brendon could feel eyes looking over his shoulder, judging the safety of his art. Asking, silently, whether he might claim a victim from this creation.

It was midday and sweat soaked his shirt when Orion finally spoke. “You work through lunch?” Continue reading →

Coffee & Conversation: What is the most romantic way to propose?

15 Monday Feb 2021

Posted by Emmi Lawrence in Coffee & Conversation

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Tags

FAQ, Fiction, gay romance, mm romance, question, reading, Romance, story, world-building, Writing

What is the most romantic way to propose?

Proposals don’t happen often in my books, or if they do, they aren’t exactly typical proposals in the same way we think of them in the Western world. Though they would be some variation of asking to spend the rest of one’s life with a person.

Because most of my stories take place in secondary world settings where culture might be slightly different, the definition of romantic might change as well. Now, most of the time, I lean toward familiarity because there’s such thing as a strangeness budget, which just means there’s only so much strange a reader can take before they frustrated. If I’m going to demanding a reader learn about a new world with new rules and different fantastical, magical elements, I might not push too hard on cultural differences. But I’d try to do small changes.

this means that what might be the most romantic way to prose in one story might not equate to the most romantic way in another.

Another element that needs to be addressed is the personality differences in characters. This is more basic and familiar because not everyone likes the same things even in our modern world; so while one person might think a proposal in Paris at the Eiffel Tower or in a gondola in Venice is the most romantic, another might think the summit of a hike or during sunset at the beach might be the most romantic.

This means for these types of questions, if indeed, a story deals with this moment, I have to consider the character and the culture and the world. Not to mention the circumstances (i.e., characters are about to die and thus one proposes in case they don’t make it or to give incentive to survive).

My favorite thing to do is to make the setting and situation meaningful to the characters. Whatever might evoke the most emotion in them, the most connection—and in doing so, hopefully the reader.

~Emmi

By the Light of the Moon (Lost Isle Launch T-38 Days)

12 Friday Feb 2021

Posted by Emmi Lawrence in Fantasy, M/M, Short Story, Teaser

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adventure fantasy, Fantasy, fantasy romance, Fiction, gay romance, LGBT, long-reads, Lost Isle, Love, M/M, Novel, prose, reading, Romance, Series, Short Fiction, The Ocean's Aviary, Worldbuilding, Writing

BY THE LIGHT OF THE MOON
Emmi Lawrence

“He tells the same bloody story every night to whoever listens. ‘Bout crows in the crow’s nest. Birds normally found in forests taking over the sea, says he. Wouldn’t listen ta a word that comes out of his mouth.”

I thanked the bartender, but ignored the advice and moved to sit next to the young sailor.

“What crows are these?” I asked. “Out in the Serene? In the middle of the ocean?”

The young man snorted into his pint. “Fuck off with ya. I’ve had enough raggin’ for the day.”

But I persisted, opening my satchel and pulling free a crinkled paper with a crude drawing. “Can you tell me how many there were? Did they appear during the night? Did they come down close enough for you to see exactly what they looked like? Anything like this?” I tapped the sketch.

The sailor pulled the mug from his lips. “Ya draw that?”

“Not me. Another who’d been on board a ship that had to skirt a spring storm and saw a few of these birds.”

He dragged the sketch closer, wetting the edges as it landed in a puddle of spilled beer. “Aye, it’s a right likeness, it is. Close enough. There’s that ridge right there along its spine that I’ve never seen on a crow before or since. And it’s got that bright beak and fuzzy gullet. He pushed the paper back and took a large swallow from his mug before continuing. “It’s real, right enough, but what is it?” Continue reading →

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

A serialized novel begun Jan 29th 2020. Here you can find links to the beginning and the most recent additions.

I: Prologue
II: Present
III: Yesteryears
IV: Yesteryears
V: Present

……….

L: Present
LI: Yesteryears
LII: Yesteryears
LIII: Present
LIV: Yesteryears

New chapters published every Wednesday!
Next up: Jul 7th 2021

FREE SHORT STORIES

THE BAYWATER & THE HURRICANE
(fantasy M/M)

WHAT SECRETS MIGHT REMAIN
(fantasy M/M)

TALL, DARK & HANDSOME
(contemporary M/M)

THE IMMORTAL LOVER OF LAKE PHANTA
(fantasy M/M)

ACROSS THAT OCEAN OF SAND
(fantasy M/M)

MY LIFE, HIS BREATH
(contemporary M/M)

POET’S BANE
(fantasy M/M)

What’s Up!

  • Canvas Blues – XCV: Present
  • Canvas Blues – XCIV: Present
  • Coffee & Conversation: How to keep your plots/stories from being repetitive?
  • Canvas Blues – XCIII: Yesteryears
  • Coffee & Conversation: How to critique someone else’s work?
  • Canvas Blues – XCII: Present

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