Coffee & Conversation: What are some of the hidden difficulties of being a writer?

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What are some of the hidden difficulties of being a writer?

Last week I chatted about a couple of the more obvious, oft-talked about difficulties that writers have in the industry. This week I want to talk about some of the more hidden, possibly insidious difficulties that writers face.

1) Reader Retention

Reader here can reference anyone from general audience to editors and publishers to even agents.

Most people write on the side rather than as a full-time gig because of spotty payment, lack of health insurance, and inability to pay bills on that level of income. This means that writing can often take a secondary or even backseat to other priorities, which can lead to a less consistent output than in other industries. Couple this with the difficulty in actually selling stories, first to agents or editors, and then to readers, there can be some lengths of time between publications. (Both of which I talked about last week.)

One of indirect results is that readers will forget you. They’ll forget your name, forget the stories, the way those stories made them feel, etc. Editors/publishing houses will then take that into consideration when deciding to buy the next book, because why buy a book that might not make as much as someone else’s?

Example: one author I know of had started a well-selling series, but then had some life difficulties. 11 years later, he tried to sell the next book in the series to the same publisher, who turned him down because of that giant gap in time would lead to less readers.

Now, most authors don’t wait 11 years to write the next book, thus that is a more extreme example. However, in publishing, despite how slow they seem, there’s a high expectation of constant and quick publications. If you’re not publishing at least 1 book a year in traditional publishing, you’re too slow. If you’re not publishing every 3-4 months as an indie author, you’re too slow. Continue reading

Chapter One of Lost Isle (Launch Day T-4)

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CHAPTER ONE

Where I am is where I’ve always been,
but what I see has changed.

They cut us free somewhere near the Gulf of Caines. The water dark, the moon nothing but a sliver and the stars clouded as the ship’s canvas swelled with an easterly that took it far into the distance within precious little time. Left me rocking in a skiff, alone, but for the limp form of my companion—a man weathered by the sun and salt with a still-seeping gash under his left eye.

I calculated I had three days. If I were lucky. Though, luck had never been on my side, especially not recently.

That first long night, shivering in the unfettered ocean wind and my hunger for revenge keeping the pangs in my stomach at bay, I resisted the urge to dump that man overboard. I wasn’t sure why. Could just be I was so preoccupied by that fading black smudge on the horizon. Plus, I’ve never been one to handle loneliness well. And even a man condemned by his brothers for a traitorous nature was better company than the tang of salt spraying into my face whenever the skiff smacked on the downside. The fact he was also attractive despite the cut didn’t hurt either and I admit to dreaming of wringing a few good moments out of life with him before we succumbed.

Besides, I figured a dead man in the water brought sharks faster.

Dawn found me hunched in the stern, tired because I’d kept jerking awake, sore, since finding comfort in the wooden edges of the skiff was impossible. I gingerly raised myself high enough so I could scan the horizon. Nothing but morning color on one side and the violet haze of a relenting night on the other.

The boat pitched then, slamming my head into the side. I cursed like the sailors I’d been traveling with, calling out to that living, breathing leviathan believed to be responsible for every death upon the waves. My voice cracked, loud enough I must have woken the other man.

He groaned and twisted, his knee rising and his hand moving for his head. I settled within the stern once more and observed him as he fumbled his way to a sitting position, his hand missing the edge of the skiff once before he focused. As intelligence sparked in his eyes, the fog of unconsciousness slow to release him, he narrowed his gaze at me.

“Yer the cartographer? The grunt who made the star charts that led us astray?”

I shrugged, striving for a carelessness, but my heart hammered behind my rib cage like a fleet-footed deer and I reminded myself that not every sailor took up with men simply because their prospects were slim.

His stare turned more intense, as if he could see right past my feeble attempts to project some form of unconcern. “I’m curious,” he said, in a tone that said he wasn’t truly curious, but wanted an excuse to mock me. “Was ya purposefully leadin’ us wrong or are ya simply that inept?”

Affronted, I said, “My charts were fine. And considering they’re left in the care of the sailing master instead of dumped in here with us, I presume he knows that.”

The man cracked a sliver of a smile. “Ya’d argue ta the death over their accuracy despite sendin’ us so far from the Giant’s Belt. So tell me, where are we?”

“Given you likely know the ocean currents better than I, I was hoping you’d be able to answer that.”

“The stars did nah speak ta ya all night?”

“It was cloudy.”

He laughed bitterly. “Of course it were.”

“It was,” I protested, though I sounded like a petulant child, insisting on an excuse to free myself from punishment. I quickly staunched my whining and pressed my lips together in a thin, insincere smile.

The man hefted himself onto the thwart at the bow end of the skiff, the position putting him at an angle so I was forced to look up at him. At least with the sun at my back he was mostly within the light, which gave me a full view of the tattoos running along his shaved head. On one side the black markings were of a wicked looking sea serpent, crudely done, and low on the other curled smoke-like lines that I assumed represented the misty maidens who populated the sea between the continents.

He had a number of small scars across the side of his neck, as if shrapnel from a shattered bulkhead had embedded there once. His pale eyes were hooded from too much squinting in the sunlight, but had a piercing quality to them that only added to his intensity. His hands, rough and weathered like the rest of him, gripped the sides of the skiff as if he were prepared to launch at me at a second’s notice.

We were opposites, him and I.

Me with my hands soft and stained with ink rather than callused from rope burn. Me with none of the hardness he possessed. None of the decades’ worth of experience of facing down the fickle nature of the sea and its deadly inhabitants.

“What’s yer name?” he demanded. Continue reading

Canvas Blues – LX: Yesteryears

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

LX: Yesteryears

“The plans” Casey’s father had spoken of became apparent on Casey’s fifteenth birthday, for a ragged Mustang—pastel yellow—sat parked over the dandelions peeking up through the cracks in the driveway when Brendon stopped by.

“Not quite running,” was how Casey described it when Brendon asked, “but Dad’s got a new engine block to go in it and we’re going to piece that bitch back together…together.”

A light sparkled in Casey’s eyes. And he leaned forward, his breath smelling of barbeque sauce from the chicken they munched on, leftovers from the weekend with all the crunch gone to mush around the grilled edges.

“Sounds like a lot of work.”

“Less than one of your paintings, I assure you, but art, Bren, in its own way.”

“When do you think you’ll get it running?”

“Sixteenth or bust, baby. Going to have my own wheels sophmore year.” A wolfish grin flashed across Casey’s face, like all the trouble they could get into churned the wheels already.

“Your dad just bailed you out of jail because of you being at a drag race and now he’s given you a car…”

Casey laughed out loud. “Irony! All my English teachers would be proud.” Then he sobered. “But it’s not running. It’s dead in the drive right now. Needs a lot of TLC, which means I’m to be hanging around here most of the year as we get it ready. More time I spend with Dad, sooner the car’s ready.”

“Ah. That’s manipulative.” Continue reading

Coffee & Conversation: What are some of the obvious difficulties of being a writer?

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What are some of the obvious difficulties of being a writer?

I wanted to contrast the obvious to the hidden difficulties so I decided to write them up as two questions.

For the obvious difficulties, these are the ones that you probably suspect even if you don’t have any personal experience on your own. These are the staples of the industry, the things people talk about openly and easily and constantly.

1) Difficulty Getting Published

The industry is hard. You spend all your time upfront on a project and then throw that project into the void and cross your fingers. There’s no guarantee that when you sit down to craft a story that those words will ever sell. No guarantee of a paycheck at the end of the day. You simply invest, invest, invest more and more hours and keep crossing your fingers and hoping.

Some people get to the point where they have a contract in place, a contract that pays them an advance. You would think that the money handed over in an advance resembles a paycheck, but you’d be wrong. Firstly, publishers can and do go after authors if the author never earns out their advance, meaning that if you’ve spent that money, you could very well find yourself in a serious problem. Secondly, unless you command some serious selling power, the advance you get will be minuscule (five thousand is high for a first-time novelist with a reputable larger press/publishing house; small press is much less.)

Those advances only cover that contract and however many books were promised. Each subsequent book(s) must be negotiated and most authors have a horrible time getting their second or third or fourth books published. Many more have trouble continuing on even if they have books in their back pocket and good sales numbers to show.

This is basically a job where you’re interviewing over and over again for the same job, negotiating your salary for every single project, many of which overlap in your schedule, all while writing some new project with no real sense whether you’ll be told that it’s no good and won’t sell, thanks but no thanks.

2) Dealing With Rejection

Everyone deals with rejection since rejection is a part of life. A huge part of life. How we deal with rejection is what defines our ability to survive or thrive in our environments. Continue reading

Canvas Blues – LIX: Present

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

LIX: Present

With a sudden lack of care, Brendon gathered his things, using baywater to give his palette a cursory scrub before throwing his canvas face-up on the pier and lugging his easel and paints toward the car. Orion followed at a slower pace, holding both canvases outward from his body, and though he never said a word but “Here,” Brendon felt that telescoping gaze boring into him.

Only when they were in the air conditioning, blowers drowning out the cicadas and the distant rumble of a motorboat, did Brendon turn on Orion.

“You think I’m some murderer. Since you walked into my studio you’ve thought it. Throwing words like victim and threat, profiling me in a way even the police don’t. Seeing nothing but what you want to see.”

“I’m not—”

“I’m taking you back to your car and then I don’t want you to bother me—or my clients—again. Take Erikson’s paid-for painting and do what you please with it. Sell it, junk it, burn it. I don’t care. Just take your assumptions away from me.”

Then Brendon angrily threw the car into gear and, gravel churning, jerked them out of the lot. They rode in silence, Brendon steaming silently and Orion—probably calculating whether he could bring a lawsuit to bear. The air conditioning turned their sweat cold, Brendon’s shirt clinging in the worst places like ice packs and still it did nothing to cool his temper, his fury building with each new additional thought that piled up.

He wants me to admit it. Wants me to confess.

My God, is he wearing a wire? How would I know?

Wait, it doesn’t matter whether he is or not because it’s all impossible anyway.

Isn’t it? Continue reading

Coffee & Conversation: What makes you instantly dislike a character?

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What makes you instantly dislike a character?

This is an interesting question for two reasons.

Firstly, you would assume that what makes us dislike a character would be similar to what makes us dislike a real-life person, and to a certain extent that is true. This means the question can feel repetitive or pedantic on the surface: manipulative, cruel, or dismissive behavior can all immediately have us cringing away from a character.

However, there are plenty of characters we love to hate. Many more who have large or deep enough flaws that while we wouldn’t want to be around them in our real-life, we find them fascinating to watch or read about.

Secondly, characters have arcs, or at least they should have arcs. This means that they aren’t stagnant and will change, whether for the better or worse. You might fall in love with a character in the beginning of their arc only for them to take action after action that leads you to disliking them immensely. The opposite is also possible.

We, as readers, come with particular biases that will supersede the arcs of the characters and/or the desire to love a character beyond their unlikable traits. These biases are different in all of us, though there are some things that large groups of audience will lean toward.

My own personal biases mean that the following traits of a character will instantly make me dislike them, regardless of their arcs, even a redemption one, or their other attributes that might make them likable as villains. Continue reading

Edwin’s Interview (Lost Isle Launch T-17 Days)

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EDWIN’S INTERVIEW

(This is a teaser for the novel Lost Isle, on pre-order now.)

The man at my door has brown hair—loose, windswept, the ends just barely curling against his forehead and neck. His face is more long than round, giving him the appearance of being lean, though his body betrays that impression with enough muscle to make him unnoticeable in the working class neighborhoods—the docks, the factories, the workshops. His hands have the most personality throughout his entire person—strong, slender hands with scribe calluses built-up on two of his fingers and ink-spot tattoos where the quill had pierced deep enough to stain.

He has the look of an indoor man. The kind who would be hunched over a desk, or a book, or a map.

I step back to let him into my office and he follows me, his eyes quick to rove and quick again to come back to me. His pants were ironed, though not the most expensive. His coat was fitted, though the loose button in the middle again betrayed his throttled funds. He stood straight with shoulders back, but not with chest puffed.

As if, by remaining straight and following the narrow, he might give the impression of a proper gentleman in order to blend and not stand out. Fighting to be average, I’d have called him. A man who did not crave attention and did not seek it. A man who would step out of the light, away from confrontation were it to peek his way.

But perhaps that is me being judgmental. After all, while first impressions are everything according to perception, they are lies tricking us into crafting a reality that person cannot possibly fight against.

“Good morning,” I said, holding my hand out.

He took it with a grip that did not tighten too hard or pull away too quickly. “Edwin Vlaris. You said you wanted to speak to me of a map.”

I gesture to the bench I had just finished clearing off before he’d knocked. “A map, yes. Please sit, Edwin.”

“Thank you.” His voice is unassuming. Shall I say, perhaps even lacking a certain confrontational ability? Continue reading

Canvas Blues – LVIII: Yesteryears

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

LVIII: Yesteryears

A bust went down that September. Late. Humidity giving a last hurrah as it burned across the growing corn fields and shivered burgeoning pumpkin patches. Cops swarmed Ol’ North Main like ants on a sugar spoon, wrapping cuffs about old and young alike with little regard to uncles and grand-daddy’s.

Casey got picked up. Fourteen years old, drunk off canned beer with a stolen fifty in his pocket. Taylor L. got picked up too. Taylor Lee Barry got pushed through processing, then yanked at the very last because grand-daddy came in roaring like a fury, spouting about bad choices and last chances.

No one came to yank Casey out at the last second.

Brendon had the audacity to think it all unfair. He’d been more worried about Casey getting out and dodging his father’s belt rather than being mindful of a future more dreary and far more difficult for his friend.

“Glad you’d skipped that night,” Casey muttered a few weeks later, bitter over his arrest and the subsequent crack-down his father had instated via police requirement. “Was messy and ugly. Didn’t think I’d ever see so many cop cars in my life.”

“…and your dad?” asked Brendon tentatively.

Casey shrugged. They lay across his bed, the comforter a worn blue and the pillowcases mismatched, yet both with a soccer emblem on their surface. “He’s still an asshole, if that’s what you’re asking.”

“How long is he enforcing house arrest?” Continue reading

Coffee & Conversation: Is there anything you absolutely refuse to write?

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Is there anything you absolutely refuse to write?

One of the tropes well-known within the romance industry is called May/December relationships. This is merely a cutesy way of referring to a pairing or couple where one-half is older/more experienced (in the December of their life) and the other is still in the springtime of their youth.

In general these relationships can be depicted in adorable or serious ways that show  respect for real-life people in similar relationships.

However! There are extreme cases where this May/December type of relationship is exaggerated into more of a January/December situation, where it feels abusive or disturbing in how they depict the manipulation or grooming of young people (particularly girls, though boys are not spared.)

These are cases when you have a teen (barely adult or almost adult) with a person (usually male) who is extremely older. Think of age ranges such as: 16/100 or 16/500 or 16/timeless. [A few examples of these types of relationship can be found in books such as Twilight, An Enchantment of Ravens, or Spin the Dawn.]

These depictions are a byproduct of the misogynistic tendencies of older men to want young women (or literal girls) in place of someone their own age. Because gay romance started within the romance industry, which was heavily dominated by women writers at the time (still is, but there are certain trends that look encouraging to see more diversity), this same concerning extremist age gap has strayed into gay romance slightly. Continue reading

A Madman’s Journal (Lost Isle Launch T-24 Days)

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A MADMAN’S JOURNAL
Emmi Lawrence

(This is a teaser for the novel Lost Isle, that is on pre-order now.)

The shop clung to a scent that sang of ages past, of worlds and words hidden behind mold and mildew. A patina of dust lay on every available surface and long-unused webs gathered thickly in high corners and behind haphazardly stacks books. Edwin wrinkled his nose at the intricate map—done in oils with vibrant colors and care—that had been shoved against the wall and propped up with tacks so that it curled with dry depression, left to crumble.

“Done by the esteemed Marcius Hlarro,” boasted the keeper—a stooped man with eyes beady from an indoor life and hands twisted from a lack of stretching. He swept a hand across the map, crinkling the dry corners so bits flakes off and dust eddied into the air. “One of a kind. Shows the very soul of Awadar from almost six decades ago.”

Edwin kindly did not correct the man. Merely smiled thinly—not wanting a mouthful of dust—and nodded absently as he carried on through the stacks.

“Can I help you find something? A gift? A bit of historical research?”

“I’m looking for anything on the history of the Serene.”

“Oceanographer? Deep sea fishing stories? Tales of discovery? Of the first crossings?” The stooped bookkeeper moved fast among his stacks and shelves, rattling off questions

“Actually, more myth and legend was my interest.”

“Leviathan sightings? Aquaholes? Iceberg Towers?”

The Flightless.”

From between the shelves, the bookkeeper turned those squinted eyes toward Edwin. “Birds. Birds like the great rocs or the tiny swallows that morph? Birds that shift out of sight like the flamingos and rooks? Yes, birds.” Continue reading