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Emmi Lawrence

~ MM Fantasy Romance Writer

Emmi  Lawrence

Tag Archives: nonfiction

Coffee & Conversation: Contract Terms Series (First Rights)

26 Monday Jul 2021

Posted by Emmi Lawrence in Coffee & Conversation

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answer, contract, essay, non-fiction, nonfiction, question, writer, Writing

Contract Terms Series (IANAL)

There’s a bunch of contract terms for writers that can be difficult to parse for newcomers to the genre, so I want to go over a few in a short, easy contract terms series.

(Note: I am not a lawyer. I am merely speaking from experience on the author side.)

FIRST RIGHTS

First rights are essentially the right to first publication. This means that the words being licensed have never been published before in the specific way they are being sold. In other words: The words are not being reprinted. They are original.

There are many kinds of first rights, which is why it’s important to know and understand them. First rights also tend to be worth more than reprint rights, which is another reason they matter so much.

For instance: You can have first audio rights, which are different from first paperback rights. You can have first English rights, which is different than first Spanish rights. You can have first anthology rights, first eBook rights, first audio, etc.

Any contract that attempts to claim ALL first rights, particularly without actually having any intention of using all those first rights, should be contested and requested to have a rewording.

By allowing a particular contract access to all first rights without them having clauses giving those rights back to you, you can end up with a story that can never be published in certain formats. Which is not cool.

~Emmi

Coffee & Conversation: What do writers sell?

19 Monday Jul 2021

Posted by Emmi Lawrence in Coffee & Conversation

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answer, contracts, copyright, essay, non-fiction, nonfiction, question, reading, writer, Writing, writing advice

What do writers sell?

Writers sell licenses. That’s it. Or at least that should be it.

Writers OWN copyright. But writers should not be SELLING copyright. Copyright is ownership. It’s the “these words are mine and no, you can’t use them without my permission” bit.

So when writers sign contracts, they aren’t signing away copyright; they’re signing away the license, or right, to use, disseminate, print, or publish those words. The words themselves remain belonging to the writer.

There are a few places (actually, there are many more than a few places, unfortunately) that have awful contracts where the author actually does sign away copyright, giving all the words they’d written to a company. There are even places that demand ownership of your publishing name, disallowing a writer to publish under that particular name anywhere but with that company. [Please don’t sign these.]

The only time you should, as a writer, be selling copyright, is when you are ghostwriting (because during ghostwriting you’re paid a lump sum to writer someone else’s story for them, so they get the copyright of it) or during some form of shared-world ownership situation. (Think DnD, DragonLance, Forgotten Realms, TV show tie-ins, though even then, very often, the copyright remains with the author and they simply have incredibly strict contracts on what they’re allowed to write).

So please check your contracts over carefully! Make sure you’re not giving away something you shouldn’t be, particularly in smaller press or magazines where the publishers might not be fully aware of what they’re asking for.

~Emmi

Coffee & Conversation: What was your last attempt to try something entirely new in your writing?

24 Monday May 2021

Posted by Emmi Lawrence in Coffee & Conversation

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answer, essay, FAQ, non-fiction, nonfiction, Novel, question, short reads, writer, Writing, writing habits

What was your last attempt to try something entirely new in your writing?

Last year, wanting to try something I’m not skilled at, I decided to try writing a story in objective voice. Objective voice is essentially when you’re not allowed to see the world through any character eyes and instead are forced to view the story solely from an outside perspective. Basically, it’s like watching the events happen, but being unable to hop into anyone’s mind to get clarification on what they were thinking or feeling.

It’s HARD. OMG.

All the emotion a person feels, all the thoughts they have…GONE.

All you have is what they do, what they say. You’re basically trying to be as objective as possible in even the description of the setting. It felt like I was just saying “He went there. He did this.” over and over again. I kept wanting to sink into the character and give them a voice, an opportunity to say what they felt.

It was so awful.

I hated it.

I…don’t know if I’ll try it again. Continue reading →

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

A serialized novel begun Jan 29th 2020. Here you can find links to the beginning and the most recent additions.

I: Prologue
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