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Emmi Lawrence

~ MM Fantasy Romance Writer

Emmi  Lawrence

Category Archives: Coffee & Conversation

Coffee & Conversation: What are some of your good writing habits?

12 Monday Apr 2021

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answer, essay, FAQ, prose, question, reading, writer, Writing, writing advice, writing habits

What are some of your good writing habits?

Because I discussed my bad writing habits a couple weeks ago, I thought it only fitting I also discuss some of my good writing habits as well.

1) Divide Stories Between Notebooks

Organizational-wise, coding each story by notebook allows an easy method of finding the information I need for any specific world or novel or even short story. This cuts down on how much time I need to search for what I need. Allows me to only have to carry around one notebook at a given time. Gives me a method to the madness that is all the stories I want to write or am in the middle of writing.

The only negative aspect of this method is that sometimes I might not have the appropriate notebook at hand and I desperately need to write something down so I won’t forget it. This means that bits of information would end up where they didn’t belong. But I counter this quite well with assigning a couple of specific notebooks to being “catch-all” notebooks, wherein I can cross out information once it’s been used or relayed to its proper place.

2) Work on Something Every Day

This is one that a lot of writers resist against and I’m never sure why. You can be a writer whether you write one day of the year or all 365. Doesn’t much matter. However, you’re not going to get much done if you only write one day a year, which is why I like the method of crafting a habit out of writing.

By crafting a habit, where my brain insists on needing to open certain documents, create new words or edit old ones every single day, I’ve made it almost impossible for me not to accomplish things. Stopping is far worse than slowing down. I must keep the wheels rolling if I want to remember what I was doing and why I was doing it that way. Otherwise, things start to disappear.

Thus, I get my butt in the chair in front of my computer every day. And if I can’t, then I wander with a notebook jotting down notes. And if can’t do that, I have a nifty writing app on my phone and a bunch of stories there as well. Doesn’t matter what is going on in my life, I always have a project at hand. And if I don’t, then I make one that fits that dead space.

3) Cycling

Not the bike cycling, the writing cycling. Every time I sit down to work on a project, I never start where I ended. I go back to the top. Maybe not the very top, as in a novel that would be impossible, but I’ll go back to the top of the chapter, top of the scene, top of whatever good breaking point there is from my last writing session.

Then I read from there, altering, editing, tweaking as I read, and then, by the time I get to where the words end, I’m immersed in the story enough that the new words begin to flow. This method of going over your work each time is called cycling, because you’re passing back over it again and again.

Some people don’t prefer this method because they see it as editing, which takes a different part of your brain. But to me, this is just me seeking flow, altering the course of the words so that flow isn’t disrupted.

This generally also means that by the time I’m done with a story, particularly a longer one, that I have a decently clean draft with which to work. And that’s something I love since when a story is done, I desperately want to move on to something else that requires creativity vs a critical eye.

~Emmi

Coffee & Conversation: First Quarter Update 2021

05 Monday Apr 2021

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answer, editing, FAQ, goal, goals, progress, question, reading, social media, Update, Writing

First Quarter Update 2021

I wanted to give you an idea of where I am and what I’m working on.

In the past three months, I’ve gotten more work done on Canvas Blues and the body count is racking up behind the scenes. In fact, i don’t think I’ve ever written anything with this level of death, yet such a long drawn-out light tension before. Usually tensions run high with that much death going on.

Next, I finished all the things for Lost Isle and got it out into the world. Woot!!

I’ve written many, many blog posts.

I’ve quite a twitter game I attempted to start. Well, actually, I’ve mostly quit twitter completely because I just can’t keep my endurance up over there, not while doing everything else I’m doing.

[On my non-romance name, I’ve written six short stories, three on submission, one already semi-sold (no contract, just word of mouth), one needing edits; wrote a ton of blog posts for over there (mostly rec posts); slush read over 200 stories; critiqued a bunch of friends’ work; began a novel and a novella (no relation to one another because I’m a masochist)]

I’ve gotten on the schedule with a cover artist to get Shatter by Glass a cover. And I’ve finished formatting that book for paperback. Ebook still needed, however it looks to be on track for a Jun/July rerelease.

I’ve also been striving to read more, though this has been more short stories than novels.

Oh, and I’m in the process of moving.

So that’s about where I’m at. For the next three months, I’m working on keeping up with blog posts, getting Shatter by Glass fully ready, adding words to Canvas Blues, and doing a lot of prep and work on Scorched Isle. Plus words for my other name. Shall update again in three months to see how far I get :)

~Emmi

Coffee & Conversation: What are some of your bad writing habits?

29 Monday Mar 2021

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answer, FAQ, habits, prose, question, reading, Writing, writing advice, writing habits

What are some of your bad writing habits?

I have a couple of bad writing habits, a few of which are minorly problematic, and a few larger ones that I’m not entirely sure whether they give me more work, or less.

1) Not Writing Linearly

Most of the time I do write the beginning at the beginning, but often, once I get that first part down, I will jump ahead, write an emotional or exciting scene that I can’t stop thinking about. This means that I will have breaks throughout the draft, empty spaces where the words peter away. Normally, these breaks will slowly get filled in from the beginning going forward, slowly but surely soothing out the draft as I push toward the end. Sometimes there’s a specific scene that I’m dreading writing and so it sits like a gaping, festering wound. Usually those scenes are the ones I had to completely rip out of my WIP, which is the cause of my frustration.

In terms of the positives, this method means I’m getting a lot of words down on paper during the moments I’m most excited about it, adding to my motivation for the story, pushing it along.

In terms of the negatives, this means that I will be forced to do some major editing of those same scenes later one once I’ve completed every word that comes beforehand because there is inevitably wrong information because of changes I’ve made within previous scenes.

2) Not Outlining Before I Begin

Most of the time, I get an idea and I start writing. There’s a feeling involved when getting into a character that encompasses a style and voice and without that, it’s impossible to write the character. This means that oftentimes, I will set a character up with a problem, throwing them on the page and telling them to go-go-go, solve the issue! But without any clue as to how they’re going to do that. Continue reading →

Coffee & Conversation: What are some of the hidden difficulties of being a writer?

22 Monday Mar 2021

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answer, audience, author, FAQ, Novel, publishing, publishing industry, question, reader, Writing

What are some of the hidden difficulties of being a writer?

Last week I chatted about a couple of the more obvious, oft-talked about difficulties that writers have in the industry. This week I want to talk about some of the more hidden, possibly insidious difficulties that writers face.

1) Reader Retention

Reader here can reference anyone from general audience to editors and publishers to even agents.

Most people write on the side rather than as a full-time gig because of spotty payment, lack of health insurance, and inability to pay bills on that level of income. This means that writing can often take a secondary or even backseat to other priorities, which can lead to a less consistent output than in other industries. Couple this with the difficulty in actually selling stories, first to agents or editors, and then to readers, there can be some lengths of time between publications. (Both of which I talked about last week.)

One of indirect results is that readers will forget you. They’ll forget your name, forget the stories, the way those stories made them feel, etc. Editors/publishing houses will then take that into consideration when deciding to buy the next book, because why buy a book that might not make as much as someone else’s?

Example: one author I know of had started a well-selling series, but then had some life difficulties. 11 years later, he tried to sell the next book in the series to the same publisher, who turned him down because of that giant gap in time would lead to less readers.

Now, most authors don’t wait 11 years to write the next book, thus that is a more extreme example. However, in publishing, despite how slow they seem, there’s a high expectation of constant and quick publications. If you’re not publishing at least 1 book a year in traditional publishing, you’re too slow. If you’re not publishing every 3-4 months as an indie author, you’re too slow. Continue reading →

Coffee & Conversation: What are some of the obvious difficulties of being a writer?

15 Monday Mar 2021

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answer, FAQ, industry, novels, prose, publishing, question, reader, rejection, short stories, writer

What are some of the obvious difficulties of being a writer?

I wanted to contrast the obvious to the hidden difficulties so I decided to write them up as two questions.

For the obvious difficulties, these are the ones that you probably suspect even if you don’t have any personal experience on your own. These are the staples of the industry, the things people talk about openly and easily and constantly.

1) Difficulty Getting Published

The industry is hard. You spend all your time upfront on a project and then throw that project into the void and cross your fingers. There’s no guarantee that when you sit down to craft a story that those words will ever sell. No guarantee of a paycheck at the end of the day. You simply invest, invest, invest more and more hours and keep crossing your fingers and hoping.

Some people get to the point where they have a contract in place, a contract that pays them an advance. You would think that the money handed over in an advance resembles a paycheck, but you’d be wrong. Firstly, publishers can and do go after authors if the author never earns out their advance, meaning that if you’ve spent that money, you could very well find yourself in a serious problem. Secondly, unless you command some serious selling power, the advance you get will be minuscule (five thousand is high for a first-time novelist with a reputable larger press/publishing house; small press is much less.)

Those advances only cover that contract and however many books were promised. Each subsequent book(s) must be negotiated and most authors have a horrible time getting their second or third or fourth books published. Many more have trouble continuing on even if they have books in their back pocket and good sales numbers to show.

This is basically a job where you’re interviewing over and over again for the same job, negotiating your salary for every single project, many of which overlap in your schedule, all while writing some new project with no real sense whether you’ll be told that it’s no good and won’t sell, thanks but no thanks.

2) Dealing With Rejection

Everyone deals with rejection since rejection is a part of life. A huge part of life. How we deal with rejection is what defines our ability to survive or thrive in our environments. Continue reading →

Coffee & Conversation: What makes you instantly dislike a character?

08 Monday Mar 2021

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answer, character, essay, Fiction, prose, question, reading, Writing

What makes you instantly dislike a character?

This is an interesting question for two reasons.

Firstly, you would assume that what makes us dislike a character would be similar to what makes us dislike a real-life person, and to a certain extent that is true. This means the question can feel repetitive or pedantic on the surface: manipulative, cruel, or dismissive behavior can all immediately have us cringing away from a character.

However, there are plenty of characters we love to hate. Many more who have large or deep enough flaws that while we wouldn’t want to be around them in our real-life, we find them fascinating to watch or read about.

Secondly, characters have arcs, or at least they should have arcs. This means that they aren’t stagnant and will change, whether for the better or worse. You might fall in love with a character in the beginning of their arc only for them to take action after action that leads you to disliking them immensely. The opposite is also possible.

We, as readers, come with particular biases that will supersede the arcs of the characters and/or the desire to love a character beyond their unlikable traits. These biases are different in all of us, though there are some things that large groups of audience will lean toward.

My own personal biases mean that the following traits of a character will instantly make me dislike them, regardless of their arcs, even a redemption one, or their other attributes that might make them likable as villains. Continue reading →

Coffee & Conversation: Is there anything you absolutely refuse to write?

01 Monday Mar 2021

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answer, FAQ, industry, May/December, prose, publishing, question, reading, tropes, Writing, YA

Is there anything you absolutely refuse to write?

One of the tropes well-known within the romance industry is called May/December relationships. This is merely a cutesy way of referring to a pairing or couple where one-half is older/more experienced (in the December of their life) and the other is still in the springtime of their youth.

In general these relationships can be depicted in adorable or serious ways that show  respect for real-life people in similar relationships.

However! There are extreme cases where this May/December type of relationship is exaggerated into more of a January/December situation, where it feels abusive or disturbing in how they depict the manipulation or grooming of young people (particularly girls, though boys are not spared.)

These are cases when you have a teen (barely adult or almost adult) with a person (usually male) who is extremely older. Think of age ranges such as: 16/100 or 16/500 or 16/timeless. [A few examples of these types of relationship can be found in books such as Twilight, An Enchantment of Ravens, or Spin the Dawn.]

These depictions are a byproduct of the misogynistic tendencies of older men to want young women (or literal girls) in place of someone their own age. Because gay romance started within the romance industry, which was heavily dominated by women writers at the time (still is, but there are certain trends that look encouraging to see more diversity), this same concerning extremist age gap has strayed into gay romance slightly. Continue reading →

Coffee & Conversation: What’s the quickest way to make you crazy in a romance?

22 Monday Feb 2021

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adventure, answer, character, Fantasy, FAQ, Fiction, Novel, question, reading, Romance, romance plot, symbolism, The Breakup, Writing

What’s the quickest way to make you crazy in a romance story?

Most of my stories, particularly the novels, have multiple plot threads: a romantic one intertwined with an adventure or mystery. Some lean more on the romance arc; some lean more on the adventure arc; some are pretty even-handed. One of the great advantages to having a second arc intertwined with the romance is that I can use outside forces that might push the characters together/apart and craft interpersonal conflict via the adventure or mystery aspect of the story. This is something that romance writers who have sole romance plot arcs aren’t able to do.

When you can’t use outer journeys or adventurous conflicts to interact with the interpersonal conflict of the romance, there’s a serious limit when crafting the necessary interpersonal conflicts. This can mean that a lot of the interpersonal romantic plots can feel over-used and rehashed and trope-reliant rather than fresh and fun. This limiting number of conflicts can also mean that some authors reach for whatever is easiest, no matter that it might be completely nonsensical and that something far and away better might exist if they’d bothered to push themselves.

One of my least favorite romance “conflicts” is the ridiculous reliance on a silly misunderstanding. You know the type—the kind that could be cleared up with ONE SINGLE ADULT CONVERSION.

That, to me, isn’t conflict. Or, if you call it conflict, it’s the weakest, frailest, lamest conflict ever to exist in the entire adult fiction world. A misunderstanding should not be the backbone of an entire romantic plot. A misunderstanding should never be the catalyst for a story.

Misunderstandings should be used sparingly and only for tiny threads within the entire plot. If they are even used at all. The best use of misunderstandings (imo) is comedic beats, to elicit a momentary smile from the reader.

The second best use is to indicate something larger at play. A good example of this is the lemon scene in the movie The Breakup, where the male lead only gets a couple lemons when the female lead wanted a lot more—this is a great example of using a misunderstanding to represent a much larger, difficult problem that exists rather than having the lemons themselves be the problem. (Also, using a sour fruit in the scene was an epic choice for symbolism.)

But yes, the quickest way (or at least one of them at any rate) to make me crazy is to have the entire plot of a romance be completely centered on a fake conflict that could be easily solved within a single chapter. Making the rest of the novel utterly eye-rolly.

~Emmi

Coffee & Conversation: What is the most romantic way to propose?

15 Monday Feb 2021

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FAQ, Fiction, gay romance, mm romance, question, reading, Romance, story, world-building, Writing

What is the most romantic way to propose?

Proposals don’t happen often in my books, or if they do, they aren’t exactly typical proposals in the same way we think of them in the Western world. Though they would be some variation of asking to spend the rest of one’s life with a person.

Because most of my stories take place in secondary world settings where culture might be slightly different, the definition of romantic might change as well. Now, most of the time, I lean toward familiarity because there’s such thing as a strangeness budget, which just means there’s only so much strange a reader can take before they frustrated. If I’m going to demanding a reader learn about a new world with new rules and different fantastical, magical elements, I might not push too hard on cultural differences. But I’d try to do small changes.

this means that what might be the most romantic way to prose in one story might not equate to the most romantic way in another.

Another element that needs to be addressed is the personality differences in characters. This is more basic and familiar because not everyone likes the same things even in our modern world; so while one person might think a proposal in Paris at the Eiffel Tower or in a gondola in Venice is the most romantic, another might think the summit of a hike or during sunset at the beach might be the most romantic.

This means for these types of questions, if indeed, a story deals with this moment, I have to consider the character and the culture and the world. Not to mention the circumstances (i.e., characters are about to die and thus one proposes in case they don’t make it or to give incentive to survive).

My favorite thing to do is to make the setting and situation meaningful to the characters. Whatever might evoke the most emotion in them, the most connection—and in doing so, hopefully the reader.

~Emmi

Coffee & Conversation: What do you daydream about?

08 Monday Feb 2021

Posted by Emmi Lawrence in Coffee & Conversation

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answer, character, emotional connectivity, Fantasy, FAQ, Fiction, question, reading, Romance, Science Fiction, world-building

What do you daydream about?

A lot of writers are daydreamers, in the sense that sometimes they will stare off into space, crafting sequences and scenes with characters of their own making. It took a long time for me to realize that not everyone did this, that it was specific to certain types of creators and readers.

I’d often get the “Are you okay?” or “Is something wrong?” types of questions. Sometimes the person would add (after I said “Yes, I’m good” in some fashion) “No, something is obviously wrong because you’re not talking to anyone and you’ve got an annoyed look on your face.” When the annoyed look came from having my personal movie sequence playing in my mind interrupted by silly questions. I’m sure many of you can relate :)

As for the daydreams themselves, they are often ways to figure out plot points or character arcs, the characters pushed through different scenarios until one suddenly pops into place perfectly. Daydreams are also ways to pinpoint good emotional beats, so when the emotions resonate with the daydreamer powerfully enough, they know they’ve found a good one.

This tends to mean that the heightened moments in a story get daydreamed the most clearly. Maybe the final showdown in an action sequence. Or the moment of deepest despair. Or the settling of a romantic conflict. It’s like having the crux points of a story without the transitional information.

Which means that the transitions and the lead-up scenes are usually more difficult to write because they haven’t been as clearly daydreamed. The ultimate goal is to craft stories where everything feels important, even if a particular scene is a relaxing from an emotional high or a lessening of tension in order to slow the pace or give the reader a chance to catch their breath.

But ultimately, it’s the pivotal moments that we replay in our minds most often, whether as writers or readers or dreamers.

~Emmi

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

A serialized novel begun Jan 29th 2020. Here you can find links to the beginning and the most recent additions.

I: Prologue
II: Present
III: Yesteryears
IV: Yesteryears
V: Present

……….

L: Present
LI: Yesteryears
LII: Yesteryears
LIII: Present
LIV: Yesteryears

New chapters published every Wednesday!
Next up: Jul 7th 2021

FREE SHORT STORIES

THE BAYWATER & THE HURRICANE
(fantasy M/M)

WHAT SECRETS MIGHT REMAIN
(fantasy M/M)

TALL, DARK & HANDSOME
(contemporary M/M)

THE IMMORTAL LOVER OF LAKE PHANTA
(fantasy M/M)

ACROSS THAT OCEAN OF SAND
(fantasy M/M)

MY LIFE, HIS BREATH
(contemporary M/M)

POET’S BANE
(fantasy M/M)

What’s Up!

  • Canvas Blues – XCV: Present
  • Canvas Blues – XCIV: Present
  • Coffee & Conversation: How to keep your plots/stories from being repetitive?
  • Canvas Blues – XCIII: Yesteryears
  • Coffee & Conversation: How to critique someone else’s work?
  • Canvas Blues – XCII: Present

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