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Emmi Lawrence

~ MM Fantasy Romance Writer

Emmi  Lawrence

Author Archives: Emmi Lawrence

Coffee & Conversation: How do you handle two-faced people?

11 Monday May 2020

Posted by Emmi Lawrence in Coffee & Conversation

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answer, FAQ, internal monologue, point-of-view, question, reading, secondary characters, unreliable narrator, Writing, writing advice

Not in your real life; I’d think that’s a loaded question with too many answers to count. But in writing, things are a tiny bit simpler. Tiny bit.

There are two main different situations where you might find yourself writing a two-faced person.

THROUGH POINT-OF-VIEW CHARACTER

This situation can be as complicated or as easy depending upon how self-aware the character happens to be.

An incredibly self-aware character, one who knows and accepts their two-facedness, can easily show their true colors through their interactions with other characters and through their own internal thoughts. Their internal thoughts will align completely with their actions, giving the reader a double whammy of explanation. This is where you can write simple, uncomplicated statements, such as “He/I lied” or “He/I didn’t care who he/I hurt” inter-spaced with other, longer internal motivation that will bolster the character’s actions and give the reader a complete sense of what kind of character they’re dealing with.

This is, by far, the easiest two-faced character to create. However, if the character is completely morally ambiguous, you’ll have a much more difficult time convincing the reader to have empathy for him. To improve empathy, you’ll have to show his likableness by 1) having him engage in ‘nice’ or ‘kind’ behavior, 2) by showing other people enjoying his presence or comparing him favorably, or 3) by giving him a clearly defined motivation that readers can identify with.

A character lacking in self-awareness (a type of unreliable narrator), will cause slightly more difficulty given their actions and their thoughts will not align. This is the character who thinks of himself as correct, moral, or a victim in situations rather than a perpetrator. A character who does not take responsibility for the negative outcomes of his actions because he believes in his own false narrative. In this situation, you can’t write “He lied” ever because as far as the character is concerned, he isn’t lying. Continue reading →

Canvas Blues – XV: Yesteryears

06 Wednesday May 2020

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

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adventure fantasy, Fantasy, fantasy romance, Fiction, gay romance, LGBT, long-reads, Love, M/M, microfiction, Mystery, Novel, prose, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

XV: Yesteryears

Third wheels, to Casey at least, had always meant a limping car, a blowout during a NASCAR race. “Drag,” he’d say. “Drag that swings you all about, like some ragdoll who shouldn’t have been on the track.” Brendon always got the impression Casey was quoting someone.

Third wheels, to Brendon, began to a look a little like himself.

Casey had this way, this all-or-nothing desperation about him. A need for speed. A crash course. And where Brendon had been that canvas Casey could tug about, Robbie was something new, something different. Someone who pushed back.

There came a few years of ping-balling, Casey’s attention caught and lost like a firefly flash as he bounced back and forth between what he wanted and what he couldn’t have.

While Brendon sketched in silent appraisal of angles and light and possibility, a neon-green ninja turtle pencil cutting sharp lines across his sketchbook to capture the dilapidated state of the Le Mans Casey sat in, Robbie put hands back on his hips and laughed.

“It’s a car, like the others. What’s so special about it?”

Casey popped his head out of the driver’s side, one hand on the crumbling leather around the wheel, the other on the glass-empty window edge. “It’s a Le Mans!” As if that should be explanation enough. His eyes wild and wide.

“It’s a broken car,” corrected Robbie.

Brendon’s pencil hesitated.

“It’s one of the most iconic cars in existence. A creation of perfection!”

“And it’s a rusted pile of trash now.”

They shot barbs back and forth until Casey yelled at Robbie to find his own car and they’d race. Robbie crawled into the driver’s seat of a truck—a useless, ugly ‘80s F150 according to Casey—and the two of them pretended to race down a straightaway

By the time Robbie declared he was pulling off the road to grab a milkshake from the Cow’s Udder shack and promptly derailed Casey’s race, Brendon had finished his sketch. It was a mishmash of a thing. Wrong. Tortured even. Some conglomeration of a sleek Le Mans in its heyday and the twisted, dilapidated state it was in today. A twist between Casey’s vision and Robbie’s.

That sketch lay for a long time. Never forgotten, but not quite understood. A quandary Brendon couldn’t explain and struggled to move beyond every time Casey ping-balled back after a fight with Robbie.

~~~~~~~~~~

Next Chapter!

Coffee & Conversation: What is something you continually procrastinate on?

04 Monday May 2020

Posted by Emmi Lawrence in Coffee & Conversation

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answers, edits, FAQ, formatting, prose, questions, reading, social media, Writing

Okay, I thought this a suitable question.

When it comes to writing, the writing part is actually the easiest. It’s just you and the blank page. No one watches. No one sees the mess-ups. No one sees the tangential paragraphs where you go on for two, three, four hundred words about how you have no idea what the next plot point is or repeatedly asking yourself why this character is even in this story. It’s a private affair. Where doubts intermix with excitement.

On the other hand…

Edits require you to dull the creative part of your brain. Force it into a little box with air holes that it might leak out, but only at appropriate times.

Formatting requires you to completely lock the creative side of you away. Forget it exists. Staunch it until it’s just a murmur begging to be let free.

Social Media requires you to plant your feet firmly in the here and the now, in a place where the date matters and the story is just a story and never an overactive part of your mind where you just want to linger forever.

Synopsis writing requires you to take your entire story, every living, breathing part of it, and turn it into something bland, dry, and dull that fits on two pages.

These are the things I procrastinate on the most. They are antithetical to everything writers tend to love. The clean-up at the end of the party.

Oh, we know we shouldn‘t procrastinate on them. The longer they sit needing to be done, the larger they loom. The more stories you complete in the meantime, the more end work accumulates. Yet, they sit out there still, demanding to be done by you and only you because someone else might do it all very wrong and you know it.

~Emmi

Canvas Blues – XIV: Present

29 Wednesday Apr 2020

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

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adventure fantasy, Fantasy, fantasy romance, Fiction, gay romance, LGBT, long-reads, Love, M/M, Mystery, Novel, prose, Publication, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

XIV: Present

“I had a friend,” Brendon began.

Mr. Livesey sipped his stout unconcernedly, blue eyes sparkling and his manner attentive, giving Brendon the impression the man waited to pounce.

“Casey Mattingly. We grew up together. One of the first paintings I crafted on my own stretched canvas was a gift to him. A car—a Le Mans—with fire roaring out the exhaust and under the tires like he was tearing up the devil.”

There’d been no future in that picture. The road blending into the black background, sky and land a void. Casey had loved it, claimed the world was just as dark and mysterious, waiting to be discovered by anyone brave enough to floor it down the drag.

A middle-aged woman, with a flour-spattered apron and a soft-spoken voice, arrived then. She set down a panini for Brendon and a simple BLT sub for Mr. Livesey, a small complementary crab dip and crackers going between them both.

Once she had disappeared and Brendon had something other than calculating blue eyes on which to focus, he went on. “We’d thought it a bad dream he had.”

“You and this Casey?”

And Robbie. Robbie especially, a pragmatic mind to calm Casey’s hysterics and Brendon’s imagination.

Brendon nodded. “He said he found himself on a long, dark road, tarmac hot from the day.”

Beastly hot, Bren. Clawing at your skin hot. Like the devil lived underneath.

“There’d been the roaring of an engine.”

A beautiful Le Mans, popping now and then, a tiny misfire fudging up the rhythm. Exhaust stuttering like that boy in Compass who always joined our pickup basketball games during recess.

“And he saw a light. A fire.”

Like eyes at first, Bren. Burning into my soul. Maybe the devil wasn’t too fond of those things I said to my sister the day I found her with that damn teacher, whats-his-name, Mr. Tallir.

“It came toward him down the road, roaring, the light turning into a streak.”

He fell into an introspective silence that Mr. Livesey didn’t break.

Another couple, a man dressed in khakis and a button-down with a base pass tapping against his buttons, the woman in navy pumps and a cream blouse, sat down at a nearby table, breaking the silence as iron chair legs screeched against pavers. Casey would have thrown them a caustic glare. Robbie would have wondered why, given he’d have been wearing khakis and a button-down as well.

“Brendon.” Mr. Livesey’s voice had gentled, become soft, soothing. “Brendon, how many original painting have you sold over the years?”

“I don’t know.”

“Too many. The sign of a success. An artist reaching toward his prime.”

Something in Mr. Livesey’s tone made Brendon lift his eyes from the picked at label of his ale. Mr. Livesey tapped knuckles lightly against the table. Absently. His BLT only half-finished, tomato leaking out of the bread like a red light of warning.

“How many that might cause grief?”

Brendon swallowed. “I don’t know. I don’t know. I just…don’t know.”

Mr. Livesey’s hand, warm from the sun and the wrought iron, settled over Brendon’s. “Don’t you think you should find out?”

~~~~~~~~~~~~~

Next Chapter!

Canvas Blues – XIII: Yesteryears

22 Wednesday Apr 2020

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

≈ Leave a comment

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adventure fantasy, Fantasy, fantasy romance, Fiction, Flash, gay romance, LGBT, long-reads, Love, M/M, microfiction, Mystery, Novel, prose, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

XIII: Yesteryears

They hid their bikes behind some trees and disguised them with old pine needles, though any adult who passed rolled their eyes at the meager attempt at subterfuge. Casey led them through the forest, sneakers balancing on exposed roots to avoid the lingering mud.

“It’s this graveyard. There’s a Le Mans, dead as a hooker and about as sexy too.”

“What do you know about hookers?” asked Robbie.

Casey just snorted and beckoned them faster.

Brendon had introduced them one day at the park, Casey in his cleats and shin guards, Robbie in his button-down and gelled hair. Like oil and water he’d thought of them, but they hadn’t gotten that memo and stuck together like they’d been born under a Gemini sky, Castor and Pollux.

They reached a clearing, though it was more a pit, old gravel, a clay embankment and discarded casings poking between spits of crabgrass and wild onion. A graveyard Casey called it and a graveyard it was, for rusted, gutted metal bearers of tetanus sat on unfashionable rims and dry rotted rubber all about. Sixteen cars, if they could be called cars at this point, sat scattered about, like a wood-claimed junkyard. One had a bush bursting out its trunk. Another had a birch sapling poking from its sunroof. A third sat on its side, a thick oak forcing it up, up and away.

“This is the worst kind of creepy,” said Robbie, his hands on his hips and his expression one of disgust. “I thought it’d be a real graveyard.”

“Haunted headstones,” said Casey with a scoff. Then he was off, darting around the metal buckets. “The Le Mans is this way!”

Robbie exchanged a long-suffering look with Brendon, then they followed at a slower pace, Robbie pointing out the rustling where lizards darted down from warm metal hoods. Brendon paused and gazed into the branches of a gum tree, tiny gumballs swaying in the breeze like prickly death balls.

“Did you hear Casey’s dad had an accident?” asked Robbie.

“Is he okay?”

Robbie’s expression turned pained. “Yeah.”

“That’s good.”

“Yeah,” repeated Robbie, this time in a voice barely there. “Dad says Casey would have been better off.”

“Better off if what?”

Robbie shrugged. “Don’t know. Told me to mind my own business when I asked. And then he got all quiet talking to Mom. Didn’t your parents talk about it?”

If they had, which Brendon doubted, they’d done it where Brendon couldn’t hear. “No.”

“You think Casey’s going to make us come here a lot?” And Robbie looked around distastefully.

Casey called to them, his voice tight with excitement and attitude, mocking them for their slowness. They ducked around a battered truck that had once been navy blue to see Casey clambering over a chassis, brushing off last year’s dead leaves and picking out clumps of moss where a dent had formed a basin rife for puddles.

He hopped down and spread his arms wide in a glory position. “Can you imagine what this looked like back in the day?”

“What day?” muttered Robbie with a skeptical expression.

“What’d it look like?” asked Brendon, already lifting his sketchbook.

Casey sighed wistfully, nostalgia for a time before he’d been born granting him an ethereal aura. “This Le Mans has been given a place of honor among the dead.” And he stroked the rust like he could turn it to gold with a poor man’s fingers alone.

~~~~~~~~~~

Next Chapter!

Canvas Blues – XII: Yesteryears

15 Wednesday Apr 2020

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

≈ Leave a comment

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adventure fantasy, Fantasy, fantasy romance, Fiction, Flash, gay romance, LGBT, long-reads, Love, M/M, microfiction, Mystery, Novel, prose, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

XII: Yesteryears

For Casey’s tenth birthday, October 17th, a day that could be as cold as ice or hot as hell and rather never wavered in between for some reason, his parents threw him a little party out in their backyard. Course it was cold, jeans and long sleeves and snug jackets as they played in rainbow leaves and threw spiky gumballs at one another in an estimation of a fair fight.

Crickets the size of their fingers leapt ten feet, escaping eager little boy hands. Robbie had the best luck, repurposing a plastic party cup into a temporary terrarium. They beat to death a piñata and ate themselves sick with candy and ice cream cake. Casey invented racing games and used birthday boy powers to enforce his rules while his father laughed on and Becks reluctantly took photos for the family at their mother’s request.

“Do I have to? Casey’s such a turd.”

“Don’t say that about your brother.”

“She’s a bigger turd! Elephant sized!”

“Casey!”

They roughed each other up on the trampoline and wound arms about each other and gave cheeses and bunny ears when Becks came around with the camera. The smell of rubber, the smoke from the fire pit, the wafting of pepperoni all under the undressing trees, leaves fluttering in the gentle breeze to come and land on their shoes and socks.

Casey’s mom emailed those photos a few weeks later.

Presents consisted of video games and gift cards and tickets to a big drag race up the road (from Casey’s father of course). Brendon didn’t remember what he’d picked out from the store, but he remembered the painting he’d used as his card. A raptor, purplish-gray with orange and green feathers and talons bronze and eyes of coal. On the back he’d painted, To Casey, Happy Birthday (the ‘Y’ was squished in to fit) and From Brendon, Your Best Friend. Because best friends were different than normal friends and there was a need to distinguish them.

 The next time he went over to Casey’s house, he noticed a new photo propped on the white shelves in the kitchen. Robbie, Casey and Brendon with arms wrapped about one another and gap-toothed, real smiles on their faces. Behind the new frame sat the small painted raptor canvas, those coal eyes looking out over their heads.

~~~~~~~~~

Next Chapter!

Coffee & Conversation: What are your most used phrases?

13 Monday Apr 2020

Posted by Emmi Lawrence in Coffee & Conversation

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answer, FAQ, habits, prose, question, reading, Writing, writing mistakes, writing quirks

Oh, the dreaded repetition, always showing up, rearing its head as part of an unconscious bias as your fingers type across the page. Characters raising their brows or cocking their heads and everly speaking in dry manners. Characters turn and turn again, they sneak quick glances or stare unashamedly and hold each other’s gazes as if in a staring contest.

A lot of these phrases are used by millions of authors and I’m sure non-English speaking writers have their own bevy of phrases that crop in every tale known to man.

Some authors have their own specific words they seem to have fallen in love with. For instance, I once read a series where every male character would stalk across the room and pop their jaw (ouch?). Read another where every person was described as ingenious. Great word, ingenious, but its likely not every character meets its requirements.

Sometimes, a group of writers all joined by a social circle will use certain words or phrases in their books (the schlep phenomenon comes to mind).

As for me? I have my own specific quirks, notwithstanding the above mentioned plethora of head-cocking and dry-speaking. But here’s the rub…it’s incredibly hard to pinpoint your own overused phrases. There might very well be a million of them, yet unless the phrases are long enough and specific enough, it won’t stick out in my mind.

Here’s a paraphrase of one I’ve used a few times: “They do X, Y, Z, but he didn’t even know who ‘they’ were.” I’ve stumbled across myself using that one in both novels and short stories many times. Sometimes I catch it and edit the comments into something different. Sometimes I don’t catch it at all.

Another I use is a nostalgic beginning. I lean into a certain way of starting some stories: “Once he’d been…” or “There’d been a time…” or “Before he’d never…” and “Now he wasn’t so sure…” These types of phrasing all lend themselves to evoking a sense of loss or a sense of time passing, essentially that nostalgia I mentioned. It’s a hard habit to break because oftentimes I really like the feeling it calls and I’m not so sure what other powerful emotion I could replace it with.

I’m sure there’s many other examples. And I’m just as sure if you’re a reader you’ve caught plenty of these kinds of phrases from your favorite authors, just as I have. Habits are hard things to break though, especially when it all reads perfectly fine to you.

~Emmi

Canvas Blues – XI: Present

08 Wednesday Apr 2020

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

≈ Leave a comment

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adventure fantasy, Fantasy, fantasy romance, Fiction, gay romance, LGBT, Love, M/M, Mystery, Novel, prose, Publication, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

XI: Present

Brendon skipped past the absurd and went straight to what truly mattered. “Which painting?”

Mr. Livesey smiled, but it was a faint, painted-on thing without much merit. Brendon got the impression he was meant to appreciate Livesey’s attempt rather than the result.

“I believe you titled it ‘Interstellar Hopscotch,’ though your client called it his ‘Space Walk Perspective.’”

A pause. The metal of the table digging into Brendon’s forearms. The finches in the nearby street hopping under the neat row of parked cars. A distant hum of a lawn mower from the neighborhood beyond the courthouse.

Brendon took a breath. Then another. “David Erikson. He wanted to feel what the astronauts felt.”

“And he did. Quite viscerally.”

“How did he die?”

“The cause of death, at least listed on his certificate, was asphyxiation. In reality, the air in his lungs expanded. Then burst. The comment from the officer in charge of the scene said it looked as if he’d hopped a rocket and taken a trip in orbit.”

Brendon licked dry lips. “That’s impossible. What you’re proposing is beyond impossible.”

“And yet, Mr. Erikson isn’t the only person to have succumbed to Interstellar Hopscotch. A young man, low twenties, still in school, died only a few days later. Different room in the house, same strange effect on his body. He’d been helping to begin the clean-up of the estate and taken a few pictures down. He’d been packaging and labeling them according to Mr. Erikson’s will.”

When Brendon couldn’t find any words, Mr. Livesey continued, “You don’t seem surprised. Shocked, yes. Surprised, no. You knew this was possible.” His voice had become clipped, an angry well barely disguised.

“It never occurred to me,” corrected Brendon. “But… There’d been a picture before.”

“Tell me.” And it was not a request.

~~~~~~~~~~~~

Next Chapter!

Coffee & Conversation: What was your biggest “Ah-ha!” moment?

06 Monday Apr 2020

Posted by Emmi Lawrence in Coffee & Conversation

≈ Leave a comment

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answers, audience, FAQ, hooking, learning, prose, questions, readers, reading, Writing

I’m going to think about this question as pertaining to my writing journey because I think we all have plenty of Ah-ha! moments in our lives that it would be difficult to talk about just one in particular as being the biggest.

When I first sat down to get serious about my writing, I made all the mistakes every newbie makes: no understanding of point-of-view, lack of consistency in tense, white-walling, stilted dialogue, as-you-know situations, purposeless prose, rambling scenes, tangents galore, zero conflict/tension, inability to differentiate character voices, etc., etc.,

Some of these mistakes are naturally solved merely by the writing of the stories. For instance, you cringe when you read your dialogue out loud, you can’t imagine the world when reading back the scene, your head-hopping becomes confusing even to yourself. However, one problem in particular kept eluding me because I couldn’t understand it: Hooking.

A hook, like in fishing, is that barbed piece that claws into the reader and doesn’t let go. It makes sure the reader turns the page, scrolls down, doesn’t get distracted. And for a long time I thought ‘hook’ was synonymous with ‘interesting.’

You might be thinking, “but shouldn’t a hook be interesting? Wouldn’t I want the story I’m about to read be interesting? Why wouldn’t I keep reading if the story isn’t interesting?” And those are all the questions that I harbored that made me continue to not comprehend hooking for an obscene amount of time. Continue reading →

Canvas Blues – X: Yesteryears

01 Wednesday Apr 2020

Posted by Emmi Lawrence in Contemporary, Fantasy, M/M, Serial

≈ Leave a comment

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adventure fantasy, Fantasy, fantasy romance, Fiction, gay romance, LGBT, long-reads, Love, M/M, Mystery, Novel, prose, Publication, Romance, Short Fiction, Writing

CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

X: Yesteryears

The Frey family moved in the subsequent autumn. The desks disappeared, the footpath received a layer of sod and a fence rocked the world of every youngster who had ever taken that short cut through to the park. A new path formed within the forest within the first months of next spring and the kickball pickup games moved to the cul-de-sac two streets over.

But it was before that when Brendon first met Robbie.

Down at the docks, where a cheap restaurant smelled of blue crab and old bay and the brine made the air taste salty, Brendon would take a stub of a pencil and work on adding depth and light to waves with only black and white. Both parents worked now and Casey played recs soccer near all year round so there were days of solitude filled with nothing but the lapping of waves, tinging of the metal flagpoles and the scratching of his pencil.

“What are you doing?”

Brendon looked up into pale brown eyes and a paler face. The expression there he attributed to confidence, though he would later come to realize was merely competence and bravery mixing in a pleasant, but not outstanding, way.

“Drawing.”

The other boy sat down beside him and propped his chin in his hand. “I’ve seen you before. You drew that picture of the school that won the yearbook award last year. The one hanging in the display case.”

“That’s me,” mumbled Brendon, and he bent harder over his sketchbook.

“You’re an artist.”

“I want to be.”

“Nah. You are. Mom says you are what you are, you are what you do. You draw, so you’re an artist.”

Brendon paused and gave the boy a considering look. “My mom says I could be an artist one day.”

The boy smiled. “Do you draw comic book heroes?”

He didn’t. He shrugged.

“I’d love to see them if you do.”

And so Brendon went home, mind ablaze with the word artist, and set to work on using his newfound facial nuance behind masks of spandex.

~~~~~~~~~~

Next Chapter!

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CANVAS BLUES
Vignettes Regarding the Artwork of Brendon Kotes

A serialized novel begun Jan 29th 2020. Here you can find links to the beginning and the most recent additions.

I: Prologue
II: Present
III: Yesteryears
IV: Yesteryears
V: Present

……….

L: Present
LI: Yesteryears
LII: Yesteryears
LIII: Present
LIV: Yesteryears

New chapters published every Wednesday!
Next up: Jul 7th 2021

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MY LIFE, HIS BREATH
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  • Canvas Blues – XCV: Present
  • Canvas Blues – XCIV: Present
  • Coffee & Conversation: How to keep your plots/stories from being repetitive?
  • Canvas Blues – XCIII: Yesteryears
  • Coffee & Conversation: How to critique someone else’s work?
  • Canvas Blues – XCII: Present

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